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The main reason for picking up a C300 over a C100 is that the codec meets certain broadcast standards. So essentially, you’re looking to put together a documentary filmmaking kit that will enable you to shoot as quickly and effectively as possible. For our telephoto lens, we swear by the Canon 70-200mm f4 IS. You can power them with AC or batteries. On the far right is Expensive and Complex, but with Superior Results. We also use the Portabrace DV4 bag for this same use. It does take more time and effort, more accessories, and a lot more investment to be able to shoot with it, but the C300 Mark II is worth it for slower paced corporate shoots. The solution that we’ve come up with is to find a happy medium along the continuum. Since we’re talking about putting together your first production kit, I’ve selected cameras that came in under $2,000. It’s the shortest and best sounding on-camera shotgun you can get, and it especially goes well with this Rycote Softie for outdoor shooting, along with a super short XLR cable that stays out of your way. Two of the 672S lights together are brighter than one Light Storm LS1S, at 1/5th the weight, less cost, and they use cheap Sony NP batteries for long lasting output. The normal, everyday lens for 75% of your needs, the telephoto lens primarily for interviews (but also for B-roll), and the specialty shot lens. Yeah, of course it would be great if clients would hire us based on our creative experience and reputation for good work, but how do you get there in the first place? Do you get hired for your creative talent, or for the gear you own? We have had the opportunity to use (and own) many other cameras, including DSLRs, various Sony and Panasonic cinema cameras, and we even own the Canon C300 mark II (which we recommend for corporate video production). Both lights are Bi-color LEDs with a range of 2300k-6800k. Yes, it's bigger and heavier than our Gitzo system, and if we're only shooting interviews with our tripod, maybe that's overkill. You may want to get extra batteries for your Ice Light 2, as well as a handy Tungsten gel that clips into the Ice Light. If you have to shoot an outdoor interview, there are many shotgun mics you can choose from that will ​do a similar job. Affordable prosumer cinema gear allows us to shoot beautiful documentaries quickly and efficiently, which enables us to shoot more docs, edit them faster, get hired more often, and maybe even make a living at this craft. Every production strives for gorgeous lighting, crisp audio, and high-quality video, but getting these results often depends on what video production equipment was used. Every production strives for gorgeous lighting, crisp audio, and high-quality video, but getting these results often depends on what video production equipment was used. Blackmagic Pocket Cinema Camera 4K — Best All Around. But the style and quality of footage you’re aiming to capture - that can mean the difference between shooting with an iPhone, making a documentary with a DSLR, upgrading to a more expensive cinema camera, or shooting with a large crew on cameras that cost more than your house. Using connect2 can make a massive difference to your department's productivity. They will prove to be an extraordinary resource for cameras and for a multitude of accessories, batteries, cables, media storage, or anything you might need to ensure a high-quality product. From lightweight camcorders and action cameras to post-production controllers, docks, and editing software, Adorama offers the best equipment from trusted brands at affordable price… Click to shop… In business since 1984, our focus is mainly on buying, selling and trading used video Stay tuned for a replacement recommendation. Most pro video fluid heads are made for bowl-mount tripods, rather than flat head photo tripods. Your documentary shoot can be ruined by the wrong gear. Camera. Alternatively to the Sennheiser G3 wireless pack, we often use the Rode Rodelink wireless transmitter and receiver. The Canon C300 Mark II has taken an even bigger leap, with a 4k image that rivals the best cinema cameras out there today, including the cream of the crop Arri cameras. Partly because you instantly get a ProRes file to start editing with, but partly because having a bigger and better monitor allows you to ensure your interview shot is focused and exposed perfectly. Super sharp and very lightweight. But if you shoot any kind of B-roll with your tripod, the Miller Air is perfect for documentary shooters. No sweat - GPS is a common feature on an action camera like a GoPro, so you'll be able to track the video in more ways than one. Are you a video production professional looking for studio-grade video or audio equipment? The Westcott Ice Light 2 is light enough to be hung from rafters, or placed on a countertop, or if your subject wears eyeglasses, you can rotate the Ice Light to sit horizontally above their face and avoid those annoying glare reflections. Along with ​a few clamps, you may also want an accessory mount that has 1/4"-20 male or female threads on each side, allowing you to attach monitors, lights, and microphones to various stands or cheese plates. It’s great for manipulating sunlight, or in a studio setting where you can set it up out of frame opposite your light source to act as a fill. n this article, almost every piece of gear we discuss is chosen and optimized for portability, Filmmaking Equipment is the core of videography, The truth is, we make a living from our filmmaking equipment, How To Make A Documentary Shoot Go Smoothly, The Best Camera for Documentary Filmmaking, Lighting is essential in a filmmaking equipment list, Fill Lights, Rim or Edge Lights, and Lighting a Background, Unfortunately, it's recently been discontinued. Markertek offers the best Pro-Video Solutions in the business. There is also the newly released MVMXPRO500, which is a slight upgrade to the regular model. We design and manufacture video production equipment - video production consoles and equipment cabinetry, such as: Console Systems with movable + interchangeable rack turrets, multiple track system for maximum flexibility in LCD monitor placement, open "off-the-floor" design for increased leg space … And finally, we're looking at various lightweight, flexible LED panels - or "flex lights" - to replace traditional panels and fresnels for portable documentary shooting. 4k ARRI ALEXA MINI CAMERA PACKAGE. For air travel, we usually disassemble and pack the C100 into the back compartment with the lenses, and our editing laptop goes in the front section, inside a Tom Bihn Brain Cell sized for a 15" Macbook Pro. 03878554. In fact, we're so smitten by them, we recently shot a whole short doc with just those two lenses, and wrote a long piece on prime lenses for video. Production Equipment Europe is celebrating 25 years of Service Excellence in sourcing and providing quality, reliable equipment and safety products.We have now increased our product range to help make your job easier.You can browse and choose from our exclusive brands and price range of more than 35,000 products. Or that microphone that continues to give you trouble, so between every question during the interview, you have to stop the flow of the conversation and go fiddle with the mic. Always be careful when using wireless audio devices, as digital interference is becoming more and more of an issue these days. It’s an incredibly fast, versatile zoom lens that is usually wide enough at 18mm, and it can go all the way to the coveted 35mm focal distance. Video production requires a wide variety of gear, including cameras, lenses, tripods and support systems, microphones, and much more. In fact, the GT2531LVL works just fine even with our heavy C300 mark II on a big slider. That about does it! For shooting a documentary interview outdoors, you would be better off with one or two Aputure Amaran 672S spot lights. Meike is a brand I’ve been really impressed with recently for their quality and affordability. K-TEK KE79CCR — This pole collapses to a manageable travel size, it has an internal XLR to reduce audio interference and cable wrangling, and it features a side exit at the base of the pole so you can safely rest it on the ground. But despite their image capture abilities, the early DSLRs were a pain to use in fast paced, run and gun video production. 8K RED Helium DSMC2 Camera Package. The manual focus control is terrible, and the plastic feel is not very comforting, and it’s also variable aperture from wide to tight. It’s not just bad gear, because there are some amazing tools out there that are perfect in a controlled environment, like in a studio set or on a corporate video shoot. Having a few Dinkum ActionPods, or even a Gorillapod with you is a smart idea. It’s sharp, features a wide range of depth, captures beautiful bokeh, and at f/1.8, it is fast enough for low-light scenarios. The IS is very noisy, however, so don't expect to use it in very quiet scenes - it's loud enough to dominate the on-camera microphone recording. It has a great reach at the long end, but it’s often not wide enough in small spaces, so you’ll need to change to your wide lens more often. It features built-in five-axis stabilization and continuous auto focus, and it comes in at about $1,998. Plus, the battery plates and 1/4-20" threads will wear out with heavy use. They have all the advantages of a digital camcorder, but with a beautiful look that you’d expect from a traditional film camera with cinema lenses. Both bags fit into standard carry-on compartments. Moving down the continuum, you can get a DSLR for that silky filmic look at 24 frames per second, and with the camera being so small and affordable, you'll be able to capture a lot of footage quickly. This is perhaps the first question asked by every aspiring documentary filmmaker, and the decision will dictate what kind of other gear you purchase, including camera support, lenses, media, and which computer to edit your video. So we use and highly recommend the Gitzo GT2531LVL. Lens mounts, dynamic range, size, workflow, sensor size, codec, output options, ISO sensitivity, and even autofocus can all factor into your final camera choice. Audio Visual & Video Production Equipment Rentals Admin May 22, 2019 November 9, 2020. It’s the first lens I recommend you buy — honestly, I don’t see it leaving my kit for a long time. You place the Ice Light 2 within a few feet of your subject, and the light gently wraps around your subject’s face, without blinding them. 10 Pieces (Min Order) 1 YRS Shenzhen Lineng Technology Co., Ltd. 5.0 (1) … Of course then you’ll need a bigger tripod and fluid head, very expensive media to capture at those data rates, most likely a new computer with lots more specs, and if you want to shoot handheld or with a gimbal, you’ll probably need to start working out. The C100, on the other hand, has the XLR inputs you need, the sensor outputs a beautiful image in very low light, the camera has a very innovative autofocus feature that is a godsend for documentary shooting, and it can accept all of Canon’s photo lenses, some of which are very affordable. You can also get a consumer camcorder, but even if you buy the best camcorder money can buy, the results will still look like a camcorder. For portable documentary shooting, the 70-200mm f/4 is extremely good. I find this lens to be durable, and it’s rather small, so it won’t take up too much space in your kit. As a bonus, once you’ve hidden your mic on your subject for walk and talk or B-roll shooting, when you want to transition to a formal interview you can simply replace the wireless pack with the MZE900P Phantom Power Adapter, and the mic stays put. What about the C200? It’s extremely portable and has a tube shape remeniscent of a light saber. Canon C200 on a Letus Helix Jr. Canon C300 mkII on a Letus Helix Standard. So in the end, the viewer will only see your interview lighting setup for maybe 15-20 seconds of the whole video. If you are a video production student or professional, knowing how to build a quality kit is a core skill in itself. Even though this very widely used lens​ is fairly old by now, the image stabilization on the original 24-105mm is actually quite good. But then came along the DJI Mavic Pro, which is the size of an average lens. Page 1. And finally, the zoom range and the price make the 18-135mm even more attractive. This level of sophistication … This is a true cine prime lens that I like to use when in tight quarters. Why get the C100 mark II over the mark I? We’ve done this on several shoots, and it’s always fun to imagine what it would take to shoot at a similar focal length. Video Production Equipment: 10 Point Ultimate Checklist - From … You’ll also need to know where your video projects fit into the overall videomaking picture. But you won’t find them as frequently on doc shoots as you will the Audio-Technica AT4053B. Compared to most 1x1 LED lights, its output is not nearly as bright, but the Ice Light 2 does not need any diffusion. For outdoor B-roll scenarios where we want to hide the lav, or for any interview where we either can’t clip on the mic or want to shoot with a wide angle and avoid seeing the lav in the shot, we love the Rode Invisilav. I find that for most scenarios, a nice, diffused setup works wonders, and less can definitely mean more. We also carry around a few other small lights that hardly take up any room, but can come in handy more often than not. We recommend the 672 Wide because a Spot will need some sort of diffusion for any of the above purposes. We use a SOG knife with all the bells and whistles, and we make sure to check it in our luggage when we fly.​. From camera packages based around the Blackmagic Production Camera and Cinema Camera, to specialty items, including cranes, dollies, jibs and the DJI Ronin, we are fully equipped to shoot your commercial, short or feature film. Unfortunately, it's recently been discontinued. Lighting is a critical part of any production, and it is one of the most challenging aspects to master. Brushless Gimbal - The kinds of shots you can get with the C100 on a Letus Gimbal are amazing, and it’s portable enough to go along on documentary shoots. And although we don’t use it for indoor interviews, the Audio-Technica AT875R shotgun mic has a permanent place on top of our C100. Discover the best Video Equipment in Best Sellers. We usually travel and shoot as a 2-man crew, so we can bring everything with us on local shoots, as well as with air travel. For our lav mic, we use the Sennheiser MKE-2, which is an upgrade from the kit ME4 mic that you’ll find in the Evolution G3 Wireless kit. And when you buy it new, it even includes a key to Davinci Resolve Studio ($299 value) so you can color grade and edit all of your footage. We place the mic in a popular microphone shock mount, on the shortest boom pole we could find (to fit in our carry-on luggage), the K-Tek KE-79CC with an internal coiled XLR cable, which then goes on the smallest grip head we could find, the Matthews Minigrip Head, and on this solid boom pole holder. Alternatively, the Benro S4 does a good job paired with the C100 (but without much else on it). It’s everything else, too, that enables you to create better videos than perhaps someone who bought the wrong gear. But in fact, too much output or not the right kind of light can be the difference between a good interview or a failed one. Unsubscribe at any time, © Copyright 2021 Lorensbergs Ltd They will typically list things like brand, resolutions for cameras, mounts for lenses, and kelvin temperatures for the lights so you know exactly what you are getting. It goes back to the portability/quality continuum from earlier in this article. So as soon as your subject stands in place, you have only a few minutes to get everything dialed in before they start to wonder if you even know what you’re doing. The 35mm f/2 IS and 100mm f/2.8 IS are the only two prime lenses we use in our documentary kit right now. It doesn't have the "doctor bag" feature, but it's flexible and can fit a remarkable amount of stuff. At some point along the line, the complexity and expense of the filmmaking equipment continues to shoot further and further up, while the results don't improve all that much. So where do we fit in? ​We're testing out the new COB LED Fresnels for high output through diffusion scrims, and right now our favorite is the Aputure COB 120D for indoor lighting. Your outdoor shotgun will only work indoors in the most controlled settings, but most of the time it will just result in room echo. In a 3-4 minute web documentary, the average clip length is about 3-6 seconds. And honestly, we could shoot with the C100 for another 5 years and it will still be just as fun to use, not to mention profitable. We go into a long discussion about the first client/videographer interaction in our infographic/article on Video Production Services.​. Unlike other video production equipment suppliers, we don’t hide behind the fine print. To jump right to the point, we highly recommend the Canon C100 for all types of documentary video producers. We have these DSLRs to thank for the leap in image quality that video production has taken in the past few years, especially documentary production. Search (CurrentPage.Site().Descendants("Searchresults").Count(). Our families have a better quality of life when we choose better video gear. The newer Canon XC15, however, comes standard with an XLR preamp that goes on the cold shoe. …, The new Hollyland MARS 400S PRO comes with a few standout features including direct video …, The Hollyland Mars 300 Pro comes at a perfect time when COVID-19 has made wireless …, ​By now everybody has a Lume Cube, but should everyone also have a Lume Cube …. So we come to the digital cinema camera, specifically the Canon Cinema Cameras, notably the Canon C100 and Canon C200. Audio can be a huge pain outdoors (there are airplanes overhead more often than you think), not to mention unpredictable weather, no mains power to plug into, mosquitos, changing light, and other issues. We’re proud to present our very own Cinema Robot rental package for any creative that needs precise & repeatable camera movements at … Now that you have the gear, how do you get the work? It’s a lot simpler to use than other undercovers. On the other hand, with documentary, you’re capturing as much footage as you can up front, the vast majority of which will not end up in the final video. FEELWORLD FW759 7 inch DSLR Camera Field Monitor LCD IPS HD 4K HDMI Video Assist That’s our main filmmaking equipment list for our documentary video productions. We’ve had a number of them over the years, but the most recent version of the Cinevate Duzi (with the Fly Wheel) is hands down the best slider we’ve ever used. Audio often doesn’t get the attention it deserves, but it can make or break your project. On the heels of their recent updates in their wireless video monitor lineup, Hollyland has …, ​Nearly a year after its release, custom hardware calibration comes to Apple’s Pro Display XDR. We choose the video production gear that will allow us to make the best possible videos, with the least amount of headaches. As for monopods, which we use for 90% of our B-roll shooting (rather than a shoulder rig), we recommend the Manfrotto MVM500A. The Tom Bihn Brain Bag is a perfect fit, and hasn't failed us yet. The Sachtler Dr. Bag 3 works really well. Video Production Equipment With in-house access to a wide range of video production equipment we can stay within your budget while providing a cinema quality end product. But it’s a stop brighter at f/2.8, and it’s wider at 17mm, which makes a big difference on the C100 with its 1.5x sensor crop. At the first level is the casual video shooter. Audio and Video Equipment Frequently Asked Questions. The “nifty-fifty,” which retails for only $125, is a wonderful option at a price that’s consumer friendly. Meike 12mm T2.2 Manual Focus Wide Angle Cinema Lens, To round out the lenses, I feel that going wider will actually get you more use. The choices you face when building out your equipment kit can be overwhelming, so we put together this list to help you sort everything out and get started building a kit of your own. Reg No. In this article, almost every piece of gear we discuss is chosen and optimized for portability and efficiency, in order to capture the greatest amount of footage in the least amount of time, while also pushing for cinematic visuals and high quality audio. But without a lot of accessories, attachments, hacks and rigging, you may not be able to consistently capture good audio and usable video. Video Production Equipment at Europe's largest retailer of musical instruments - fast delivery, 30-Day Money-Back Guarantee and 3-year Thomann warranty. Finally, you lay these B-roll clips over the A-roll, ideally into sequences that help the viewer understand the who, what, where, when and why. InfinitySet combines the power of the Brainstorm render engine with an easy-to-use interface to create a new environment for next-generation cross-media broadcast requirements. Plus the AF and IS make it a perfect companion to the C100. ​If you're planning to shoot with a Canon XC10, you'll definitely need the VideoMic Pro for B-roll. In our kit we use both a LAV mic and an overhead boom mic for 90% of our interviews - to give us options in editing and to also serve as backup in case one mic has rubbing noise or fails altogether for whatever reason. There are many other quick release systems out there, but the Manfrotto 394/RC4 system is one of the best values for the money. Even if chocolate chip is on your mind, our cookies make an important contribution to a great shopping experience. Our camera, lenses, tripod heads, and various other items are wrapped in Domke or Tenba Wraps - which are neoprene with velcro on the corners. You can use them to attach your lights to just about any surface, without having to bring another light stand along. Served with love! But on a documentary production, a $15,000 brushless gimbal can create so much extra work for you that you spend half the day staring at your gear rather than capturing the story in front of your camera. not. Portabrace also makes padded pouches that are quite nice for carrying accessories. This camera is stabilized, shoots in 4K, can handle 1080p footage at 120fps, and is overall extremely solid for a mirrorless camera. This could be a wide or ultra wide, a super low light prime lens, a macro lens, or perhaps something even more rarely used than those lenses. It won’t function as your main camera, but it could definitely come in handy for some really creative B-roll. The MKE-2 is a versatile mic in that it can be used with the wireless pack, but we add the Sennheiser MZA900P Phantom Power Adapter to make it a wired lav. It’s multifaceted, so it can act as a bounce, a flag, and a diffuser. The ability to record video in HD (High Definition) resolution is a standard of all modern cameras, including the iPhone 6s and above, which can record in 4K (or Ultra-High Definition). VIDEO CAMERA OPTIONS FOR ANY BUDGET. But for the price, the C100 Mark I is a remarkable value, especially with the Dual Pixel Auto Focus (DPAF) installed. The benefit to portable light is huge for documentary interviews. We use all three of them interchangeably, based on the type of shoot we anticipate. If you want to go with a traditional video tripod with a bowl mount, we really love the Miller Air Carbon Tripod system (see our article on the Miller Air Tripod). There are 3 versions of the Amaran - the Spot version for a narrow but super bright beam, the less bright Wide version (with an attachable tungsten filter), and the dimmest Bi-color version. Any of them will do the job well - just make sure it’s a video monopod with little feet and a fluid head, rather than a standard photo monopod. Download the free video It’s worth the upgrade, even if you use the mic only wirelessly with the G3 kit. I find it very hard to beat this cinema-style camera, which you can currently get for about $1,295. But they're still very much worth getting even if you have to replace them in a couple years. And attached to the sides of the bag are Tom Bihn 52mm Quivers, one for the monopod and one for the tripod. Once you have your key light setup, you’ll need another light to either fill the other side of your subject’s face if necessary, or to separate their head from the background with a rim or edge light. It's a huge time savor! Just remember that to record RAW footage, you will have to shoot in 6K, which will increase your file sizes and require more processing power from your editing system. But we still stand by the C100 as the very best camera for filming a documentary. We’ve been nominated for over 10 Emmy awards and have won two Emmys for work that we shot on the C100. Video Production Equipment Video Production Equipment Litufoto Dimmable 3200K-5600K RA 96 Portable LED Studio Fill Light Video Production Equipment. Video Production Equipment, Filmmaking and Tech Reviews | … It’s the smallest, lightest, and most low light sensitive lens that still has IS - we highly recommend it. The full-frame sensor might be the deciding factor for some, but I find the menu system and settings to be quite clunky. (The newest “Nano” version even has the typical silver lens ring painted black, so phew, nobody can tell you’re shooting with a kit lens.).

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